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Haruki Murakami and the Music of Words, by Jay Rubin
Free Download Haruki Murakami and the Music of Words, by Jay Rubin
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From Publishers Weekly
Part exuberant celebrator, part human Murakami encyclopedia, Rubin, a Harvard professor of Japanese Literature and a Murakami translator, puts about the author's life and writing under a microscope in this homage to all things Murakami. The internationally bestselling Murakami began publishing at age 30, while he and his wife ran Peter Cat, a Tokyo jazz club, and, as the title of this volume suggests, Murakami's writing is filled with musical references. Rubin starts by introducing the reader to "The 1963/1982 Girl from Ipanema," "one of Murakami's most musical stories." Rubin delves into Murakami's obsessions, from animals (particularly cats) to detachment, sex and hunger, by breaking down many of Murakami's stories and all of his novels. Rubin's plot summaries can go on too long before he gets to his critique, but his analyses are colorful and heartfelt, opening new ways of understanding the coolly surreal Murakami. Only in a few instances does Rubin point out a misstep, such as in Sputnik Sweetheart. Quips Rubin: "In one of the worst lines of the book, the narrator actually thinks to himself: 'Sumire went over to the other side. That would explain a lot.' Indeed it would, just as the existence of gremlins would explain how my glasses moved from my desk to the dining-room table." While Rubin states this book is for other Murakami fans, casual Murakami readers and those baffled by the writer's works could gain something from this volume. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Review
“A magical mystery tour through Haruki Murakami’s fictional world.” —Evening Standard, with a new chapter on Murakami’s novel, Kafka on the Shore.
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Product details
Paperback: 336 pages
Publisher: Random House UK; New Ed edition (January 1, 2005)
Language: English
ISBN-10: 0099455447
ISBN-13: 978-0099455448
Product Dimensions:
5.1 x 1 x 7.6 inches
Shipping Weight: 9.1 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#486,938 in Books (See Top 100 in Books)
Jay Rubin is an absolute gift to! As one of Murakami's translator's, his unique insight into Murakami's world is both mysterious and enlightening, giving us glimpses of the author's life and how it may have influenced the iconic popular culture and music woven into his stories. I cannot recommend a better person to hypothesize about Murakami's writing than Rubin, who's understanding of how eastern and western writing meld into a whole new style in Murakami's works is brought to a whole new light in his analysis of music's importance to the experience of his books.
First of all, don't buy this book purely for biographical purposes, hoping to get some hidden insight on Murakami's life. It is clear that Murakami values his privacy intensely and Rubin goes to great lengths to respect that. Also, what information is given about Murakami will pretty much conform with what you probably could've assumed about him. This book, more than anything else, is a chronological literary criticism of Murakami's works up through "after the quake." Rubin does a good job of analyzing many of the running motifs and themes that occur in Murakami's books (wells, corridors, birds, and elephants, to name a few). It is clear that Rubin has a hard time being a Murakami fan and a Murakami scholar at the same time, but he seems to do a good job remaining impartial (although it is clear which books are his favorites and which are not!)My first experience with Murakami was when I read "A Wild Sheep Chase" a year and a half ago, and before I knew it I had read every major novel and short story he'd written, finishing Pinball 1973 just last week. I read the books in an order that pretty much had nothing to do with the order they were written (beware that the order that the English translations came out in is often quite different than the original order). As a result, reading the details Rubin gives behind each of the books and about the growth that Murakami experienced along the way were among the highlights of the book for me and helped to solidify the ties that hold his books together. Murakami fascinates me because he is still growing rapidly as a writer and a person and the growing pains as well as the links to his past work are found in each work if you know what to look for.Rubin spends the most time in this book discussing "The Wind-Up Bird Chronicle," which for me was an incredibly thrilling and frustrating book at the same time. Murakami had so many excellent storylines and so many running motifs, but many seemed to frazzle and die out by the end. Some call this piece Murakami's masterpiece, but I have a feeling that when all is said and done, this will be seen as a transitional piece: the first work where Murakami fully takes on the responsibility he feels towards the Japanese people. Murakami tackled so many issues with such brilliance (the Nomonhan Incident in particular) that I look forward to seeing where this new focus takes Murakami in the future. Some of his more recent work ("Sputnik Sweetheart" comes to mind) seem more of a step backwards than real progress, but there is no way Wind-Up Bird is a mere aberration.Perhaps more so than any other writer, we as readers have the interesting opportunity to watch Murakami grow and experiment before our very eyes. If you haven't already, definitely try to get your hands on some of the earlier novels and short stories Rubin mentions ("Hear the Wind Sing" in particular) to get an even better grasp of where Murakami has started from.If you are a serious fan of Murakami and want a better understanding of the thinking behind his works and a bit of an analysis of the works themselves (remember that as an individualist, Murakami believes his books have no one, strict interpretation!), "Haruki Murakami and the Music of Words" is a must-have companion to Murakami's works. Reliving Murakami's works through Rubin's analyses is a joy.
I was a Japanese language and Lit student at the University of Washington back when Dr. Rubin started as a Japanese professor and so reading this book brings back a lot of memories for me personally. While Dr. Rubin says he first started reading Murakami's work in Japanese in 1989 (and then teaching it to his students, like me)on pgs 284 and 285. However, I still have the original translation text from his advanced Japanese language class in the Fall of 1987 at the UW.It was Murakami's "The Windup Bird Chronicles" and I remember it vividly because I was terrified in that class by the literary text, after only translating Japanese language textbook passages before then. Dr. Rubin was witty, opinionated about Japanese language and translation, and obviously smitten with Murakami's words. All of which escaped me at the time because of my intimidated state, and finally decades later...I get it.If anything, I went on to be a technical Japanese translator and lived in Japan for 2 years after I graduated. I can credit any translation success directly to Dr. Rubin and those fateful days dissecting Murakami's work with tiny English notes in the spaces between the kanji.Today I read Murakami's books, and this book by Dr Rubin, with alot of appreciation and respect for the very difficult--and innate--talent both these men have for writing and translation. Translation is such a taskmaster in order to create a beautiful final version that is true to the original and that communicates across very diverse language the writer's original thought.When it's well done, it's like poetry or some other interpretive art, such as jazz (which is how Dr. Rubin describes interpreting Murakami through translation). So thank you Dr. Jay Rubin for your insight and life's work in this very unique world of Murakami Haruki.
Used for writing a research paper. Was helpful.
Would purchase again.
I was expecting the cover depicted but turned out to be another version.
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