Kamis, 23 November 2017

Free Download Haruki Murakami and the Music of Words, by Jay Rubin

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Free Download Haruki Murakami and the Music of Words, by Jay Rubin

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Haruki Murakami and the Music of Words, by Jay Rubin

Haruki Murakami and the Music of Words, by Jay Rubin


Haruki Murakami and the Music of Words, by Jay Rubin


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Haruki Murakami and the Music of Words, by Jay Rubin

From Publishers Weekly

Part exuberant celebrator, part human Murakami encyclopedia, Rubin, a Harvard professor of Japanese Literature and a Murakami translator, puts about the author's life and writing under a microscope in this homage to all things Murakami. The internationally bestselling Murakami began publishing at age 30, while he and his wife ran Peter Cat, a Tokyo jazz club, and, as the title of this volume suggests, Murakami's writing is filled with musical references. Rubin starts by introducing the reader to "The 1963/1982 Girl from Ipanema," "one of Murakami's most musical stories." Rubin delves into Murakami's obsessions, from animals (particularly cats) to detachment, sex and hunger, by breaking down many of Murakami's stories and all of his novels. Rubin's plot summaries can go on too long before he gets to his critique, but his analyses are colorful and heartfelt, opening new ways of understanding the coolly surreal Murakami. Only in a few instances does Rubin point out a misstep, such as in Sputnik Sweetheart. Quips Rubin: "In one of the worst lines of the book, the narrator actually thinks to himself: 'Sumire went over to the other side. That would explain a lot.' Indeed it would, just as the existence of gremlins would explain how my glasses moved from my desk to the dining-room table." While Rubin states this book is for other Murakami fans, casual Murakami readers and those baffled by the writer's works could gain something from this volume. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

“A magical mystery tour through Haruki Murakami’s fictional world.”  —Evening Standard, with a new chapter on Murakami’s novel, Kafka on the Shore.

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Product details

Paperback: 336 pages

Publisher: Random House UK; New Ed edition (January 1, 2005)

Language: English

ISBN-10: 0099455447

ISBN-13: 978-0099455448

Product Dimensions:

5.1 x 1 x 7.6 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

14 customer reviews

Amazon Best Sellers Rank:

#486,938 in Books (See Top 100 in Books)

Jay Rubin is an absolute gift to! As one of Murakami's translator's, his unique insight into Murakami's world is both mysterious and enlightening, giving us glimpses of the author's life and how it may have influenced the iconic popular culture and music woven into his stories. I cannot recommend a better person to hypothesize about Murakami's writing than Rubin, who's understanding of how eastern and western writing meld into a whole new style in Murakami's works is brought to a whole new light in his analysis of music's importance to the experience of his books.

First of all, don't buy this book purely for biographical purposes, hoping to get some hidden insight on Murakami's life. It is clear that Murakami values his privacy intensely and Rubin goes to great lengths to respect that. Also, what information is given about Murakami will pretty much conform with what you probably could've assumed about him. This book, more than anything else, is a chronological literary criticism of Murakami's works up through "after the quake." Rubin does a good job of analyzing many of the running motifs and themes that occur in Murakami's books (wells, corridors, birds, and elephants, to name a few). It is clear that Rubin has a hard time being a Murakami fan and a Murakami scholar at the same time, but he seems to do a good job remaining impartial (although it is clear which books are his favorites and which are not!)My first experience with Murakami was when I read "A Wild Sheep Chase" a year and a half ago, and before I knew it I had read every major novel and short story he'd written, finishing Pinball 1973 just last week. I read the books in an order that pretty much had nothing to do with the order they were written (beware that the order that the English translations came out in is often quite different than the original order). As a result, reading the details Rubin gives behind each of the books and about the growth that Murakami experienced along the way were among the highlights of the book for me and helped to solidify the ties that hold his books together. Murakami fascinates me because he is still growing rapidly as a writer and a person and the growing pains as well as the links to his past work are found in each work if you know what to look for.Rubin spends the most time in this book discussing "The Wind-Up Bird Chronicle," which for me was an incredibly thrilling and frustrating book at the same time. Murakami had so many excellent storylines and so many running motifs, but many seemed to frazzle and die out by the end. Some call this piece Murakami's masterpiece, but I have a feeling that when all is said and done, this will be seen as a transitional piece: the first work where Murakami fully takes on the responsibility he feels towards the Japanese people. Murakami tackled so many issues with such brilliance (the Nomonhan Incident in particular) that I look forward to seeing where this new focus takes Murakami in the future. Some of his more recent work ("Sputnik Sweetheart" comes to mind) seem more of a step backwards than real progress, but there is no way Wind-Up Bird is a mere aberration.Perhaps more so than any other writer, we as readers have the interesting opportunity to watch Murakami grow and experiment before our very eyes. If you haven't already, definitely try to get your hands on some of the earlier novels and short stories Rubin mentions ("Hear the Wind Sing" in particular) to get an even better grasp of where Murakami has started from.If you are a serious fan of Murakami and want a better understanding of the thinking behind his works and a bit of an analysis of the works themselves (remember that as an individualist, Murakami believes his books have no one, strict interpretation!), "Haruki Murakami and the Music of Words" is a must-have companion to Murakami's works. Reliving Murakami's works through Rubin's analyses is a joy.

I was a Japanese language and Lit student at the University of Washington back when Dr. Rubin started as a Japanese professor and so reading this book brings back a lot of memories for me personally. While Dr. Rubin says he first started reading Murakami's work in Japanese in 1989 (and then teaching it to his students, like me)on pgs 284 and 285. However, I still have the original translation text from his advanced Japanese language class in the Fall of 1987 at the UW.It was Murakami's "The Windup Bird Chronicles" and I remember it vividly because I was terrified in that class by the literary text, after only translating Japanese language textbook passages before then. Dr. Rubin was witty, opinionated about Japanese language and translation, and obviously smitten with Murakami's words. All of which escaped me at the time because of my intimidated state, and finally decades later...I get it.If anything, I went on to be a technical Japanese translator and lived in Japan for 2 years after I graduated. I can credit any translation success directly to Dr. Rubin and those fateful days dissecting Murakami's work with tiny English notes in the spaces between the kanji.Today I read Murakami's books, and this book by Dr Rubin, with alot of appreciation and respect for the very difficult--and innate--talent both these men have for writing and translation. Translation is such a taskmaster in order to create a beautiful final version that is true to the original and that communicates across very diverse language the writer's original thought.When it's well done, it's like poetry or some other interpretive art, such as jazz (which is how Dr. Rubin describes interpreting Murakami through translation). So thank you Dr. Jay Rubin for your insight and life's work in this very unique world of Murakami Haruki.

Used for writing a research paper. Was helpful.

Would purchase again.

I was expecting the cover depicted but turned out to be another version.

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Sabtu, 11 November 2017

Free Ebook , by John Quiggin

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Free Ebook , by John Quiggin

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File Size: 2771 KB

Print Length: 405 pages

Page Numbers Source ISBN: 0691154945

Publisher: Princeton University Press (April 23, 2019)

Publication Date: April 23, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07JQ676JQ

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Jumat, 03 November 2017

PDF Download , by James S. A. Corey

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PDF Download , by James S. A. Corey

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File Size: 2428 KB

Print Length: 605 pages

Publisher: Orbit (June 26, 2012)

Publication Date: June 26, 2012

Language: English

ASIN: B005SCRR1A

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#2,576 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Since Amazon is inexplicably tethering Caliban's War and Abaddon's Gate together where reviews are concerned as if they are different formats of the same book, I am just going to post the two of them together here.Caliban's War by James S.A. Corey (really Daniel Abraham and Ty Franck) picks up not altogether too long after the final, captivating events of Leviathan Wakes and it smoothly carries on with the story of the relatively near-future narrative that is The Expanse.The absence of Miller from the story is made up for in large part by a Holden who has become more like the detective than he would have thought possible judging by how harshly he had criticised Miller's methodology and personality during the first novel. This internally conflicted characteristic makes Holden a more interesting and substantial protagonist than he was in the first book though it does produce some difficulties on board the Rocinante.Fans of the television show would be gratified to see Chrisjen Avasarala finally making her appearance in the literary version of The Expanse. Though she is more vulgar in the book than in SyFy's adaptation, the core of the character is there...a ruthless and often cold political force to be reckoned with who manages to compartmentalize her personal and professional lives with impressive skill.The new characters added into the narrative are well-developed and easily as interesting as those from the first novel, which is something I hope they can keep up through the additional books in this series (including the ones as yet unwritten).It says something about the intense and dangerous nature of the events unfolding in this book that an alien biological machine terraforming Venus according to entirely unknown programming takes a backseat in the minds of the characters and that same dismissal carries over to the reader...at least until the end, when it can no longer be ignored.I am very much looking forward to reading the next installment after the way this one ends and I am even more so looking forward to seeing how the television adaptation will tackle things as the events of this book make it onto the screen during either the latter portion of season two or the beginning of season three depending on how they put everything together.Abaddon's Gate takes The Expanse series through the first tentative steps toward becoming a full-fledged, interstellar space opera. From this point on in the series, humanity will no longer be confined to the solar system we're all too familiar with and the surrounding void between our local system and other stars.This is, surprisingly, the first time religion really gets brought into the books...and there is quite a bit of it, as well there should be. This is a series of novels that is largely predicated on first contact, and that would damn well shake up religious thought all over the world. Not only are we dealing with first contact, but first contact with an unknown species that was around billions of years before we came down from the trees and who have the ability to manipulate matter and energy in ways we have only ever imagined possible. We stumbled upon something truly alien to us, waiting out at the edges of our solar system and disastrously attempted to weaponize it because, of course we would...we're notoriously short-sighted and impulsive when it comes to thinking up ways to kill one another in real life and the odds of that changing over the hundreds of years separating us from the fictional future of The Expanse are pretty slim...and if none of this had an impact on us as far as theology is concerned, these books would require far too much suspension of disbelief.By the time Abaddon's Gate starts off, there is a giant ring structure (assembled on Venus by an alien intelligence before lifting from that planet's surface) between the orbits of Uranus and Neptune, looming there and just waiting for us to cross the threshold...and it stands to reason that Holden would be one of the first to cross over into somewhere truly awe inspiring in what it represents.Along with the novelty of having a religious perspective tossed into the mix we get a whole new cast of characters to populate the narrative since Holden and the crew of the Rocinante are the only major ones carried over from the previous novels into this one...and none of them feel like throwaway bit parts, which is something the authors have excelled at so far through the series.This third volume of the series answers a number of questions that have been collecting since the first novel, but it certainly adds just as many new ones that will hopefully be just as exciting to answer in reading what follows.

CALIBAN'S WAR is the second installment of the Expanse series, which compromises the majority of Season Two of the series. Unlike with the first volume, I read this before watching the second season and I'm glad I did. I felt my viewing of the second season of the Expanse was enriched by my reading how the author originally intended the story to go.The premise for the Expanse series is it's roughly two hundred years in the future and mankind has spread to the rest of the solar system. Earthlings live on an overpopulated and resource stretched planet but in relative comfort, Martians live in a militarized communist society, and the Belters live in abject poverty in order to serve the needs of the two settled planets.Our heroes actually start in a pretty good place, however. The protomolecule which was the focus of the first volume has been neutralized, the Rocinante crew has a job as pirate hunters, and neither Earth nor Mars is particularly interested in wiping out the other. This all goes to hell, though, when Ganymede Station is attacked by an unknown force that wipes out a group of Martian Marines.Caliban's War introduces some interesting new characters with Bobbie Draper, a beautiful but physically intimidating Marine, who suffers from survivor's guilt after the aforementioned attack as well as Avarasala, the foul-mouthed spymaster of the U.N. Both characters are every bit, if not more entertaining than the original protagonists of Leviathan's Wake.The crew of the Rocinante actually gets a lot of character development in this book too. Holden is coping with the loss of his naivite and idealism. Naomi is dealing with the fact Holden isn't quite the man she started dating. We also get a good amount of new information regarding Amos as well as Alex. Amos is one of my favorite characters in the Expanse and this book highlights being from Earth doesn't mean you're not from a hellish childhood surrounded by poverty.I loved their sections of the book and how they brought the perspectives of their respective planets to the forefront. Is Detective Miller missed? Incredibly. He was one of my favorite parts of the original series and his absence is notable. However, that doesn't mean I didn't enjoy this book a great deal.However, there is a number of problems with the book which I think hurt its storyline overall. The first of these is the fact this feels a bit like a video game plot. Someone is using the protomolecule to make super-soldiers ala Resident Evil or the Alien movies. This, despite the fact the protomolecule is completely beyond anything human technology can command. We're not talking centuries beyond human technology but billions of years so the idea it can be used to make monsters under the control of Jules Pierre Mao is ridiculous.I also wasn't a big fan of Praxis, the scientist whose missing daughter is the impetuous for the plot. He's an okay character but doesn't really have any layers other than, "Find daughter" and "grow space crops." Even so, it's nice to get a sense of the Rocinante crew by the fact when he comes to them and asks them to help him find his probably-dead child, they immediately drop everything and help him try to find her.In conclusion, Caliban's War is a decent continuation of the Expanse novels even if I felt it was a bit derivative of other sci-fi franchises. I would have been more interested in continued focus on the Mars-Earth-Belter relationships versus more study of the protomolecule. The new characters more than make up for this, though, as does expanding on the existing heroes. Too many books don't continue expanding their leads in sequels, just repeating the behavior of previous works. That isn't the case here.8/10

I'm not a fan of politics or political stories, but after watching the tv show I knew it was coming up. It was just interesting in the show, so wasn't sure how much the subject would drag down the books. Reading politics can put me to sleep.Not here. Surprisingly, I liked reading it a lot better. The introduction of Bobby, Pax and Chrisjen Avasarala was handled in such a way that I got sucked into that aspect of it.I found not only the rest of the crew keeping me interested and rooting for them, but Pax and Bobby made me fans of their own storylines.And I'm extra fond of Chrisjen Avasarala and her horrible potty mouth. I adored those parts. If I can't have a Nana like her, I'd like to be a Nana like her. Even if we have to bite off every second word from our mouths around children. LolJumping right into the next book, to see the mystery unfold.

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