Senin, 26 Juli 2010

Free PDF There There, by Tommy Orange

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Free PDF There There, by Tommy Orange

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There There, by Tommy Orange

There There, by Tommy Orange


There There, by Tommy Orange


Free PDF There There, by Tommy Orange

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There There, by Tommy Orange

Review

“An astonishing literary debut.” —Margaret Atwood“Masterful. . . . White-hot. . . Devastating.” —The Washington Post   “Pure soaring beauty.” —The New York Times Book Review   “Stunning.” —The Boston Globe   “Brilliantly, furiously, magnificently, tragically, the story of America.” —Elle   “Heartbreaking.” —Esquire   “Electrifying.” —Entertainment Weekly   “Brilliant, propulsive.” —People “Powerful. . . . There There has so much jangling energy and brings so much news from a distinct corner of American life that it’s a revelation.” —The New York Times “Exquisite. . . . [An] exceptional debut. . . . Sublimely render[s] the truth of experiences that are passed over.” —San Francisco Chronicle   “With a literary authority rare in a debut novel, it places Native American voices front and center before readers’ eyes.” —NPR/Fresh Air“Mr. Orange’s sparkling debut is not merely a literary triumph but a cultural and political one, too. It is a work of defiance and recovery.” —The Economist “Powerful. . . . As contemporary, tragic, and American as a breaking news alert.” —The Christian Science Monitor “Stunning.” —Mother Jones “How do you rewrite the story of a people? This question shapes Tommy Orange’s sorrowful, beautiful debut novel. . . . Even in its tragic details, it is lyrical and playful, shaking and shimmering with energy.” —The Guardian “Gripping. . . . Unforgettable. . . . There There paints a vivid portrait of American lives few readers have ever known.” —Bustle “Reader, I must confirm: There There really is an extremely good book. . . . This is a trim and powerful book, a careful exploration of identity and meaning in a world that makes it hard to define either. Go ahead and go there there.” —Constance Grady, Vox “This is the kind of novel you finish and immediately need your book club to read so you can talk about it with other people. . . . It’s also a powerful reminder of the ability of narrative to move minds.” —GOOP “Staggering. . . . Expertly rendered. . . . Orange successfully refutes the idea of a monolithic Native American identity.” —Buzzfeed “As funny as it is heartbreaking, tracking the multigenerational story of twelve Native Americans with themes of violence, identity, and despair.” —PopSugar “Orange’s novel is one of healing, pulling together the intimacies of family, community, history, and violence.” —The Rumpus “An ambitious and galvanizing novel. . . . It’s somehow a page-turner at the same time, propelled by the incandescent energy of Orange’s prose.” —Thrillist “Bursting with talent and big ideas… Funny and profane and conscious of the violence that runs like a scar through American culture.” —The Seattle Times “[A] smashing debut. . . . Urgent. . . . The voices are dynamic, varied and very much of the moment, a chorus of American Indian voices coming straight from the city.” —The Dallas Morning News “Compulsively readable. . . . A dazzlingly intricate narrative that marries the personal and the ancestral. . . . A masterful work.” —Pittsburgh Post-Gazette “Searing. . . . There There finds satisfying richness in the minutiae of its characters' lives—their daily victories and losses, enduring frustrations, acts of tenderness, and senses of wonder.” —The Austin Chronicle “[Orange] writes with such finely honed literary craft that the book fairly begs to be read more than once. . . . It is gritty as well as beautiful, poetic; it is shocking, sometimes very amusing, often emotionally gut-punching, and rife with unsentimental insight.” —Santa Fe New Mexican “Orange’s book is truly a page turner filled with multi-generational accounts of violence, recovery, memory, identity, beauty, and even a little despair. It’s a book where you as the reader can’t put down until you finish it with both a sense of accomplishment and a feeling of anticipation of what could happen next.” —Lakota Country Times “This is not just a novel. It’s a carefully, beautifully crafted speech into a megaphone, telling stories of real, contemporary Native life in a specific place. . . . It offers a glimpse of an interconnected life, a world in which small stones don’t just sink to the bottom of the sea but changes tides.” —The Times Literary Supplement (London) “Bold and engrossing. . . . There is hope in this book, hope in the strength of stories told and stories that are finally heard. . . . The wonder of this accomplished debut is the way in which he has got under his characters’ skins, allowing them to speak for themselves. . . . This is a powerful novel of pain and possibility.” —Financial Times “Welcome to a brilliant and generous artist who has already enlarged the landscape of American Fiction. There There is a comic vision haunted  by profound sadness. Tommy Orange is a new writer with an old heart.” —Louise Erdrich “There There drops on us like a thunderclap; the big, booming, explosive sound of twenty-first century literature finally announcing itself. Essential.” —Marlon James, author of A Brief History of Seven Killings “There There is a miraculous achievement, a book that wields ferocious honesty and originality in service of telling a story that needs to be told. This is a novel about what it means to inhabit a land both yours and stolen from you, to simultaneously contend with the weight of belonging and unbelonging.” —Omar El Akkad, author of American War “There There is an urgent, invigorating, absolutely vital book by a novelist with more raw virtuosic talent than any young writer I've come across in a long, long time.” —Claire Vaye Watkins, author of Gold Fame Citrus

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About the Author

Tommy Orange is a graduate of the MFA program at the Institute of American Indian Arts. An enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma, he was born and raised in Oakland, California.

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Product details

Paperback: 304 pages

Publisher: Vintage; Reprint edition (May 7, 2019)

Language: English

ISBN-10: 0525436146

ISBN-13: 978-0525436140

Product Dimensions:

5.2 x 0.6 x 8 inches

Shipping Weight: 8.3 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

516 customer reviews

Amazon Best Sellers Rank:

#4,387 in Books (See Top 100 in Books)

I just finished "There There", by Tommy Orange and I’m so glad to have read it - though sometimes it was difficult:This book will make you sad - read it anyway.This book will make you mad - read it anyway.This book will remind you of the lies we were taught as children - read it to remember.This book will remind you not to tell those lies anymore - read it to know the truth.This book will make you smile – know hope.This book will ruin Thanksgiving for you - read it so you can re-think your future Thanksgivings."There There", (the title referring to an out-of-context quote by Gertrude Stein about Oakland, CA) is fascinating, heartbreaking, frustrating and ultimately hopeful. The novel is comprised of individual, but interconnected/interrelated stories by a dozen characters; their stories and actions will culminate at the “Big Oakland Powwow”. (There are some major coincidences – but just suspend your disbelief and let it go!) The section on Dene Oxendene, somewhat mirrors the premise: Dene wants to make a documentary film of various Native Americans talking about their life experiences of living in Oakland, and that is pretty much the description of this novel – plus some mysteries and some shocking action.Summing it up best, Opal Viola Victoria Bear Shield’s Mother tells her that the world is made up of stories and that they honor their people by telling their stories. And that’s how Tommy Orange honors his people, and his readers, with these transforming and redemptive stories.

This Canterbury Tales-style novel, in which a series of characters (all Native people) are introduced, and ultimately brought together at a modern Powwow, was strangely unsatisfying. Attempts to keep the characters straight made me feel as if I were suffering from attention deficit disorder; just as I gained any sense of a newly-introduced player (and any investment in his survival) the narrative switched to someone new. (Loother, we hardly knew ye.) Everyone ends up at the Powwow. There is a lot of random gunfire. Many of our new-found friends end up shot, some fatally, but we don't get to know who survives. ???However, if one steps outside the plot and listens to the voices of these wounded people, all trying to find some place to stand and build their lives, time spent with this book is not wasted.

When I first saw the title of this book, I read it as soothing words of comfort, but I had it totally wrong. Taking the famous Gertrude Stein quote "There is no there there," Tommy Orange explains that this seeming indictment of Oakland, California as a featureless hole in the landscape is not what Stein meant. Further reading of the quote proves she found her hometown unrecognizable as the place of her memory. The entirety of the United States could be classified as such, given the effects of progress perpetuated on native Americans by colonizers. Late in the book, the broken promises, actual crimes and genocide are related metaphorically through a story written by one of the characters.And what characters populate these pages. There are approximately 12 main ones, each embodying a fact of urban Native American identity. These complex relationships form a patchwork that make the outcome inevitable. There is search for family, identity and place, many feeling marginalized and invisible in the urban setting they find themselves. Earlier chapters provide character studies that present the players, their histories and motivations, so clearly the prose flows and pages fly by, followed by an almost cinematic speedup as the climax approaches.Full disclosure - I began this book several days ago employing the audible edition, but found it was too rich and full to continue that way and had to begin all over again with a print version.

What does it mean to be a Native American—often invisible in the U.S. tapestry? Documentary filmmaker Dene Oxendene, one of a dozen characters whom we meet in this book, gives his take (based on Gertrude Stein's famous quote about Oakland, "There is no there there.") He says:: “This there there. He hadn’t read Gertrude Stein beyond the quote. But for Native people in this country, all over the Americas, it’s been developed over, buried ancestral land, glass and concrete and wire and steel, unreturnable covered memory. There is no there there.”Reminiscent in ways of the movie Crash, these characters—who eventually come together in the Big Oakland Powwow—crash into each other intermittently, leaving behind sadness and often scars.There’s Jacquie Red Feather, one of the characters we get to know the most, an alcoholic who is facing the tatters of her past and on her way to her future—finally meeting her three grandsons. Her daughter Blue, whom she never met (and who has given up those boys) is fleeing an abusive marriage. The oldest of the sons, Orvil, is pulling spider legs out of his own leg wound and wrestling about what it means to be Indian. And then there are the others —Danny who creates plastic guns on a 3D printer, Edwin who loses himself in overeating, Thomas who is half-white and floundering in his life.Tommy Orange’s purpose is clear; he wants us to know that the term “Native” cannot be easily defined and, in fact, encompasses many kinds of people who share the burden of alienation, isolation and cruel history. They come to the annual Big Oakland Powow for different reasons: “The messy, dangling strands of our lives got pulled into a braid—tied to the back of everything we’ve been doing all along to get us here…we’ve been coming for years, generations, lifetimes, layered in prayer and hand-woven regalia, beaded and sewn together, feathered, braided, blessed, and cursed.”This is a major contribution to Urban Indian literature; I’ve never read anything quite like it. But it also defines all of us, as Americans, in many important ways. Tommy Orange has power to spare.

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Kamis, 15 Juli 2010

PDF Ebook , by Christopher Wilson

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PDF Ebook , by Christopher Wilson

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, by Christopher Wilson

, by Christopher Wilson


, by Christopher Wilson


PDF Ebook , by Christopher Wilson

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, by Christopher Wilson

Product details

File Size: 1545 KB

Publisher: Graymalkin Media, LLC (October 2, 2018)

Publication Date: October 2, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07HZ16PSS

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Amazon Best Sellers Rank:

#68,427 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Read this book twenty-five years ago before Johnathan Dimbleby told Prince Charles's side of the story to counterbalance Diana's collusion with Andrew Morton for Her True Story. It is critical of the future king but also reveals why he was determined to resume his relationship with Mrs. Parker-Bowles. It is perhaps too harsh to blame either Charles or Diana for displaying normal human emotions, when each yearned for a happy resolution of their problems. This was indeed difficult when the news media chose to ruthlessly exploit every aspect of their private lives. It is no small wonder that the Prince of Wales felt trapped and longed for personal freedom, while Diana became an insufferable romantic, finding physical love, but no emotional escape, with all the wrong men. They were an imperfect mismatch doomed from the start because the press put her on a pedestal and did their best to downgrade the man who made it possible. Christopher Warwick was the first biographer to hint that this union could never have worked even without media coverage due to the age disparity, their clashing personalities, and alternate lifestyles. Morton, Anthony Holden, James Whitaker, Nicholas Davies, and Nigel Dempster all took the Princess's side exclusively in their biographies, while Penny Junor and Lady Colin Campbell stood up for the Prince in their books, the latter in two best-sellers Diana In Private and The Royal Marriages. Diana In Private (1992) was highly controversial because it alleged that Lady Diana Spencer was not a virgin when Charles began the 1980 courtship and that she had manipulated the media even before their engagement. Ingrid Seward was another woman author who took Charles's side against Diana's after the crash because she knew the full story and had actually been on close terms with the Princess. Her husband Ross Benson had been a former schoolmate of Prince Charles and was equally sympathetic. It is doubtful that Warwick knew either the Prince or Princess as well as Seward or Benson. He did, however, interview many of the friends and relatives of Andrew and Camilla Parker-Bowkes as well as others close to the royal couple.In the 1993 hardback version which was titled A Greater Love, author Warwick was slightly critical of Diana. When this book was later updated as The Windsor Knot, he reprinted most of A Greater Love then wrote about the Charles/Diana/Camilla saga from 1994 (before the divorce) onward up to 2002, the year of the Queen's Golden Jubilee. In the newer version he became far more critical of Charles and Camilla because by this time Diana was dead. This was also several years after the 1998 debacle of Penny Junor's Charles: Victim or Villain? more than a year after the crash, in which Junor made every argument that proved the late Princess was mostly at fault for the breakdown of the marriage. The media backlash against Junor was sensational. The public lapped it up and made her life a misery. It was pretty rough-going for Charles and his lady-love as well because many people believed that the Prince had cooperated with Junor, who had become a friend some time after his first marriage and who had gone to boarding school with Princess Anne. Warwick chose to soften his stance on the dead princess, very different from his 1993 interpretation of the troubled icon, hence The Windsor Knot.Warwick did excellent research with the possible exception of a major goof on page four of the paperback edition of The Windsor Knot in which he wrote that Diana was directly descended from Nell Gwynn via a liaison with Charles II. Diana is descended from Louise Kouralle (Duchess of Portsmouth), the strumpet Lucy Walters, and like Camilla (now Duchess of Cornwall) from Barbara Villiers (the Duchess of Cleveland), but not Nellie Gwynn, the most popular and beloved of the Merry Monarch's many mistresses because she was pretty, witty, and lowborn.

I thought that I knew all that there was to know about the whole Charles-Camilla-Diana triangle, then I started reading the Windsor Knot and I realized that I did not know all that much.The book is more than the story about Charles and Camilla and Diana's relationships with eachother. The author delves into the murky past of the players families and tells us about the some of the people that came before Camilla, Charles, and Diana.A very interesting, entertaining book!

Interesting! Lots of info I didn't previously know!

Loved it.

The author doesn't even try to hide his bias against Prince Charles and Camilla. He's dug up every shred of gossip he could find that paints his subjects in a bad light, if he can't find it, he makes it up.

Is there anything about the Di-and-Chuck saga that hasn't already been said? Christopher Wilson has decided that a book highlighting events from Camilla's perspective would fill a gap in the coverage of these events. It's a reasonable idea for a book, except that there's nothing to indicate he has talked directly to Camilla, and he's reduced to guessing what goes on in her mind.Nonetheless, the book is an easy read and approaches the well-known story from a different angle, adding a few tidbits such as describing the Queen's raging hatred of Camilla. According to Wilson, it was Camilla who encourged Charles to marry Diana. The book is rather ambivalent in its perspective on Camilla, suggesting she saw no ethical dilemma in cheating on her husband to be Charles' mistress and orchestrating the sham marriage between Charles and Di. Yet in other passages, Camilla is shown in a sympathetic light. Even if Camilla is responsible for her own fate, it can't be easy being the most hated woman in Britain.The book portrays Di's marriage as more of an empty shell than other authors have portrayed it. The author suggests Di knew what she was getting into, but was too naive and too intimidated to back out during the engagement. The marriage never had a chance; Di was never intended to be more than a showpiece. As the story is told in this book, the villain is Charles, who over and over is portrayed as self-centered even by the standards of royalty and utterly devoid of a moral compass or basic interpersonal skills.The early chapters cover Camilla's family history. Skip those and jump into the middle of the book which is far more interesting. The book, written in 2002, ends with the author speculating that everyone should brace themselves for a Charles-and-Camilla marriage announcement, which of course occurred in 2005.

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Selasa, 13 Juli 2010

Free PDF When Our Grown Kids Disappoint Us: Letting Go of Their Problems, Loving Them Anyway, and Getting on with Our Lives

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Free PDF When Our Grown Kids Disappoint Us: Letting Go of Their Problems, Loving Them Anyway, and Getting on with Our Lives

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When Our Grown Kids Disappoint Us: Letting Go of Their Problems, Loving Them Anyway, and Getting on with Our Lives

When Our Grown Kids Disappoint Us: Letting Go of Their Problems, Loving Them Anyway, and Getting on with Our Lives


When Our Grown Kids Disappoint Us: Letting Go of Their Problems, Loving Them Anyway, and Getting on with Our Lives


Free PDF When Our Grown Kids Disappoint Us: Letting Go of Their Problems, Loving Them Anyway, and Getting on with Our Lives

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When Our Grown Kids Disappoint Us: Letting Go of Their Problems, Loving Them Anyway, and Getting on with Our Lives

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Audible Audiobook

Listening Length: 4 hours and 29 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Tantor Audio

Audible.com Release Date: April 26, 2016

Whispersync for Voice: Ready

Language: English, English

ASIN: B01E61Z12U

Amazon Best Sellers Rank:

In my opinion - there is no one that can hurt you as much as your own child! I was feeling about as low as I could be when this book was recommended to me.I have to admit that when I first started reading this book I almost quit - thinking the author was coming at this issue from too liberal of a position and that many parts of the book did not seem to apply to my current situation. But, something in me would not let me stop reading. I just kept reading & reading. I felt desperate to change what was happening in my life with my grown daughter.It was as towards the end of the book that I found many of the answers I had been seeking. I could see our situation from a new perspective!Since reading this book I have found a new way of dealing with our situation. I have caught myself before I am about to make a comment or giving unsolicited advice. Yet - I feel so much more empowered to live my own life!I highly recommend this book and have given the title & author to others going through similar experiences. (In fact - I plan to by a few copies to have available to give out to other parents I know are hurting from issues with their grown children.)

This was helpful...just not the entire book. It did give me pointers on how to communicate better with my 30 something year old adult children. It seems in the age of social media, mom doesn’t know best or even close now our kids have Google to give them life advice about themselves and our grandchildren. Crazy I know, but this book does address on how to get your point across without “insulting “ them. ???

This book will set you or your spouse free if guilt exists. Great in dispelling false responsibility. It addresses many types of disappointments and provides meaningful methods in dealing with one's thoughts as well as learning to change your interactions with a son, daughter or step-child. Tired of making excuses for a son/daughter's bad behavior? Tired of being taken advantage of or supporting an adult son/daughter? Has your "kid" played upon your feelings to get something from you? Can you tell if your adult kids need help or are using you? Jane Adams' book is a real assessment of such situations and helps the affected parent deal with the issues. This book helped save one marriage I know !

I have struggled for many years with my grown child’s addiction. This book helps with that struggle. I would recommend this book to anyone who has a grown child with issues that prevent the them (the parent) from moving on. It’s a great read and helps in giving one piece of mind.

There aren't that many books around that deal with grown children - how to handle their problems without being the solution always for them. How to set boundaries, how to stop being their safety net and bailing them out well into their 20s (or even 30s!). How to let go, including letting go of their problems, and letting them handle their own lives without always rescuing them. Especially the ones who seem to need rescuing and can't seem to get life together on their own.That's why I ordered this book - it was one of the few I found that addressed this specific situation. There were things I liked about the book - it's very supportive in that, you feel that many other people are in the place you are, and feeling what you're feeling. The author is very good about getting to all the reasons WHY we have to let go of helping/rescuing our grown children and get on with our own lives, and why being their safety net is helping feed the delay of their own independence, even enabling them not to do it themselves. She is very good about telling why we need to let go - but the problem is that there's very little in this book that tells us HOW.There are a LOT of case studies in this book. I mean a lot - I would say the content is probably 3/4 case studies, at least. That's way too much. It's very helpful to read stories of others, and again to feel that sense of not being alone and see what others are dealing with. But most of the people in the studies haven't seemed to have figured out how to deal with their situation, either. There were only one or two who had cut the figurative umbilical cord. Most were just as lost as us, the readers are.I just wish that the author provided more advice, more practical guidelines and tools, that told us HOW to do the things she advises we do - and which I would guess most readers of a book like this WANT to do. It feels like this is only half of a book - the first half, being awareness of the need to change. But what is lacking is the second half of most such self-help books, where we are given tools and practical advise for actual action steps we can take and things we can do to make it happen.So it was helpful and worth reading if you're going through this - but don't expect to learn much about what to do next to actually address the problem. It's more of a "get to the realization that you need to change" book, but it doesn't do much to help you learn HOW to change.

I've read a lot of books on parenting and the struggles of adult kids not adjusting well to adulthood and this is one of the best by far, It helps parents deal with guilt and how to have a better relationship with their adult children.

There is much focus on how 'the estranged parentis hurt. And explains how manipulation plays a big part. Often other players are responsible for the alienstion.such as a spouse. Surprised to learn I am among many estranged parents that are in this dilemma.

It seems like most self help books spend several chapters on fluff....but not this book! It jumps right into very useful information. Very easy to read and was really uplifting to hear the advice! Thank you!

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Minggu, 11 Juli 2010

PDF Ebook , by Wilbur Smith

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PDF Ebook , by Wilbur Smith

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, by Wilbur Smith

, by Wilbur Smith


, by Wilbur Smith


PDF Ebook , by Wilbur Smith

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, by Wilbur Smith

Product details

File Size: 1234 KB

Print Length: 660 pages

Publisher: Zaffre; Reprint edition (January 1, 2018)

Publication Date: January 1, 2018

Language: English

ASIN: B078B7YRMT

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Amazon Best Sellers Rank:

#140,334 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

There is a new magician to be added to the pantheon where the likes of Merlin and Gandalf reside: his name is Taita, a former eunuch slave, who is now the mighty and much-feared warlock of ancient Egypt.Wilbur Smith, bestselling author from South Africa, brings us his compelling sequel to River God, a novel of Egypt's past, where a pharaoh and her eunuch slave evaded capture to fight against an evil conspiracy. The premise originally arose from a papyrus scroll that was brought to Smith, where these two characters were show to have existed at some time in the past. Smith then set about novelizing this account and creating the amazing world of River God. He does exactly the same in Warlock, with just as much gusto and skill.The lovely pharaoh Lostris is now long dead, but her slave, now a warlock - who must be over a hundred years in age - is still revered and feared by many. A new pharaoh, the young prince Nefer, is about to take the throne, his father having been recently assassinated and the killers remaining unknown. Since Nefer is too young to take the throne, Naja, the former pharaoh's right hand man, automatically appoints himself regent of all Egypt. He hatches a devilish plan, unbeknownst to the prince, where he will unite with the enemy, the Hyksos who control northern Egypt, and get rid of Nefer, and together they will rule, abusing their power in as many ways as they can, meanwhile gaining untold riches.Wilbur Smith has a writing style that is entirely his own. His imagery reaches the point of over-description but never passes it, keeping the reader so entrenched in the world, that once they put the book down, they wonder if they are not actually in Egypt during the time of the pharaohs. Smith takes you through all the emotions, even if you don't want to tag along for the ride, making you sad then happy by the turning of the page, appalled and shocked then satisfied and appeased.There is a lot in this book, where any reader can get entirely lost, whether it be in the love between prince Nefer and his Mintaka, or the anxious deception concocted by Naja, or the great battles fronted by Nefer and controlled by Taita. There is even some magic in there for all you fantasy buffs. This book, quite simply, has it all.Originally published on November 5th 2001.Originally published in the Long Beach Union.For over 500 book reviews and exclusive author interviews, go to [...]

This book is the third book in Wilbur Smith's ancient Egyptian series although, chronologically, it is a direct follow-up to the first book, "River God" which ranks among my all time favorite historical novels. The second book of the series, "The Seventh Scroll" actually takes place in the present day and concerns some archeologists/anthroplogists that become embroiled in a mysterious adventure dealing with the events of the first novel. So now, here in the third novel, the author returns to the era of Taita, his protagonist of "River God", attempting to recreate the magic (and the hugely popular reviews) of that book. So the question is...did he achieve that? Was he able to garner the forces of whatever muse inspired him that other time?Pretty close. This isn't the super shining star that was "River God" but it is a shining star none the less. I think there are two main differences between the two novels that led this novel to be inferior to the first. One is just that: it isn't the first. Had this one been the first of a series or a stand-alone novel it might well have been held to the same kind of reverence. But since we have "River God" to which to compare it, it loses a little bit in the originality department.But not much I have to say. The prose is equally well done and the pace of the novel is spot on. It reads easily like a quick novel despite it's length and you have that same desire that all good novels inspire...wanting to sneak off and find time to read more of it. There were only a couple of spots where I wished events would speed up. The plot itself is not unique, basically a story of bad guys usurping power from the rightful good guys and how the good guys make things right and come back into power. But since the good guy's army is always outnumbered, he and his allies must use intelligence to find ways to win battles. It sort of reminded me of "Braveheart" in the numbers of ways outnumbered armies can find cool ways to win.The other main difference that makes this novel slightly inferior to "River God" is that it is told in third person point of view. This is probably necessary because this time Taita is not always where the action is occurring. We have multiple major characters all over Egypt making it impossible for 1st person POV. But the author loses the intimacy that comes with 1st person POV. In "River God" we really know the character of Taita and come to understand his foibles as well as his matter-of-fact superiority to those around him. We know his thoughts when he acts as puppet master whereas in this book, he seems more aloof and somehow, less interesting. There are times, especially during the climactic scenes near the end where he is hardly involved.All in all I enjoyed this book as a darn good read despite the inevitable comparisons I had to make to an actual masterpiece. 4 and 1/2 stars.

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